Photographing Deadvlei with Wilderness Safaris – Namibia
Departing in darkness, a slight glow simmered on the horizon, a tiny trace of the magic quickly to be revealed throughout the Namib Desert.
With Kulala Desert Lodge being the closest lodge to Sossusvlei, a brief drive led us to the Namib Naukluft Nationwide Park gate from the place the peaks of dunes grew nearer and my digital camera rapidly jumped out of the bag, by no means to depart my arms for the remainder of the day.
Regardless of figuring out pictures from a transferring automobile don’t all the time produce the perfect outcomes, I couldn’t assist myself. Because the solar rose slowly within the distance, the dunes modified color and I used to be snapping out the window at something and all the things that exposed one of many dunes I’d been eager to {photograph} for years.
With me for the day I had the Olympus E-M1X and E-M1 MKII our bodies, each with impeccable climate sealing to make sure the desert mud wouldn’t be a problem. The M.Zuiko 7-14mm f2.8, 12-40mm and 40-150mm professional lenses had been additionally in my bag to make sure all bases had been coated for the scenes I imagined together with the MC-20 2x teleconverter which I used to be utilizing for the primary time to increase the focal size and attain a powerful 300mm.
The desert surroundings is such an inspiring panorama for me personally. Huge open areas of surroundings that appears to increase endlessly towards the horizon are what gasoline my creativity and I used to be in a cheerful place from the second I laid eyes on the primary grain of sand.
As a result of I do know as soon as I begin typing I’ll little doubt repetitively use the phrases wow, fairly, overwhelming magnificence and little doubt just a few WOW’s in captials too, I wish to as a substitute share my favorite photographs from this morning journey with Wilderness Safaris.
Beneath you’ll discover six photographs together with slightly story from behind the scenes of every shot and what digital camera settings and kit had been used to seize them.
Picture #1
Gear: Olympus E-M1X + M.Zuiko 40-150mm f2.8 lens with the MC-20 2 x teleconverter
Digital camera Settings: f.5.6 | ISO 400 | 1/1000sec | 300mm focal size
Stopping at Dune 45, one of the vital widespread places to climb Namibia’s monstrous dunes, we had a couple of minutes to take some pictures earlier than persevering with to make our manner in direction of Deadvlei, the meant location for the morning shoot.
Rising at 170m, the dune supplies a simple to succeed in alternative for folks to try to climb and see the surroundings from above…and fill their footwear with sand, tons and plenty of sand. As a result of I like my photographs to be free of individuals, I as a substitute centered on the distant dunes, utilizing the MC-20 teleconverter to increase my 40-150mm lens to 300mm, drawing a lone tree nearer towards the star dunes behind.
Whereas it could not seem like the case, I used to be truly standing in a comparatively busy automotive park whereas taking this shot and because of the focal size, folks may stroll in entrance and barely trigger a problem, till in fact I didn’t see them coming after which acquired a shock after I was focusing and immediately bam, individual.
One of many advantages of getting the teleconverter with me was for moments like this after I needed to place myself in a scene additional away and in a way break away from the usual setting and seize the shot with out in fact having to hike within the excessive warmth. I’d beforehand travelled with the 300mm f4 professional lens nevertheless now that I’ve had this compact little gem with me, will most likely decide to make use of it as a substitute merely because of the dimension and ease of use.
Learn extra – ‘The Advantages of Travelling with a Zoom Lens‘
Picture #2
Gear: Olympus E-M1 MKII + M.Zuiko 7-14mm f2.8 lens
Digital camera Settings: f/2.8 | 1/16000 sec | ISO 800
Arriving at Deadvlei it turned a mission to run in direction of this stark valley of dryness earlier than the rising solar took over and the scene misplaced all shadows and depth.
Not realising how far Deadvlei was from the automotive park, inside minutes I used to be a sweaty mess (nothing to cover right here, you’ll be the identical when you go to!) however so rattling wanting to take as many pictures and angles as I may earlier than the sunshine grew harsher and the crowds arrived.
Descending into the valley I rapidly seen the sunshine was rising quickly and took this picture utilizing the one obtainable tree that wasn’t already in daylight. Typically digital camera settings have to take a again seat with a purpose to seize a fast shot. This was a kind of instances. I’m a giant believer that when you get the fundamentals proper and keep away from pointless noise/blur, then composition and creativity are much more necessary in reaching lovely outcomes.
Whereas this picture isn’t precisely what I hoped for and isn’t my favorite of the day, it nonetheless supplied me with an alternate shot that gives a distinct view of Deadvlei. I trialled utilizing an aperture of f14 to focus on the solar sparkle however discovered f2.8 labored slightly higher in the long run.
Picture #3
Gear: Olympus E-M1 MKII + M.Zuiko 12-40mm f2.8 lens
Digital camera Settings: f/2.8 | 1/5000 sec | ISO 250
It is a shot I hesitated taking however, have a tiny obsession with producing reflections and a desert scene works so fantastically because of the tones and minimal panorama.
Clearly, there isn’t a water in Deadvlei, it’s one of many driest areas on the planet and it was due to this that I used to be hesitant to share this picture publicly.
To take this picture I used the Olympus E-M1 MKII with the 12-40mm f2.8 lens which is good for creating a mirrored image of the sky inside the display of a cell phone. When held as much as the lens and tilted on the proper angle, the telephone display displays any element above it and on this case, it was all blue contrasting goodness. To make sure you don’t see the sting of the telephone display, it’s important to {photograph} with a large aperture that can blur any foreground element into the picture.
Learn extra – ‘Behind the Lens: Artistic Phases and My Present Obsession”
Picture #4
Gear: Olympus E-M1X + M.Zuiko 40-150mm f2.8 lens
Digital camera Settings: f/7.1 | 1/640 sec | ISO 200
*Please word this shot is unedited
Looking out to seize a basic shot of Deadvlei I made time to take a seat and easily stare in all instructions on the lookout for bushes that may work greatest. For about 10 full minutes (quite a bit in a location as photogenic as this!), I put my digital camera on the bottom and simply gave myself time to seek out the shot.
It’s a preferred location so lots of the time you’ll find there could also be folks within the scene however fortunately, when you arrive early sufficient there’ll be loads of area to seek out some bushes to compose inside your photographs.
These two stood out after a couple of minutes and I beloved the impact the shadow on the again dune was giving depth to the body. The solar was shining fully over your complete Deadvlei nevertheless this dune was nonetheless in shade, very best for a contrasting tone inside the picture.
Picture #5
Gear: Olympus E-M1X + M.Zuiko 40-150mm f2.8 lens
Digital camera Settings: f/7.1 | 1/1250 sec | ISO 200
To complete up, I’ll share my favorite picture not solely of the mornings journey however my total time within the area. After seeing so many photographs of Deadvlei and Sossusvlei on social media, typically somewhat than being impressed I turn into slightly underwhelmed. Whereas this positively wasn’t the case with this location, I did really feel that I wanted extra time to seize a shot I used to be really proud of, perhaps one other morning there and even one other ten.
Whereas strolling again to the automotive park I used to be drawn to this distant view; the colors, layers and depth all simply turned a imaginative and prescient of prompt inspiration and I acquired these giddy vibes whereas rapidly whipping out the E-M1X and 40-150mm lens I’d already packed up for the hike again to the automotive.
The fact was that I used to be completely boiling and pink confronted, had nearly drunk my water, crowds had been rolling in quicker than clouds in a summer season storm and I assumed I’d captured all that I may at Deadvlei. Incorrect.
These dunes aren’t in fact Deadvlei, they’re situated behind the carpark on the japanese facet of the dunes nevertheless when taking the shot, I used to be standing on the trail to Deadvlei. It was fairly a humorous scene truly as I used to be photographing in the wrong way to the place everybody else was heading so naturally, as they handed me in my snap blissful state, they’d flip and attempt to see what the heck I used to be seeing.
This was the primary picture I took of the scene and naturally, like most individuals I took tonnes extra with various focal lengths and compositions however love that each time I view this shot I’m taken again to my time in Namibia, wowed by the overwhelming pure magnificence. I advised you I’d use the phrases wow and overwhelming!
Hey! I’m the founder and photographer behind The Wandering Lens.
With 17+yrs expertise as an expert journey and panorama photographer, all recommendation discovered on this web site is from my private expertise on the street. I hope it’s helpful on your personal travels and would love to listen to within the feedback about your journeys and experiences around the globe.
